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Towards Sustainable Urban Tourism: Carbon Accounting of Allegorical Float Construction in Major Cultural Festivals

持続可能な都市観光に向けて:主要文化祭典における山車建設の炭素会計 (AI 翻訳)

Angélica Tirado-Lozada, Diego Venegas-Vásconez

Urban Science📚 査読済 / ジャーナル2026-05-05#炭素会計Origin: Global
DOI: 10.3390/urbansci10050252
原典: https://doi.org/10.3390/urbansci10050252

🤖 gxceed AI 要約

日本語

本論文は、国際的な文化祭典で使用される山車(パレード用飾り台)の建設における炭素排出量を初めて比較評価した。リオのカーニバルが1台あたり3万kgCO2e超と最も高く、自然素材を多用するアンバトの祭りは1000kgCO2e未満。排出原単位は合成素材使用量に依存する。

English

This study presents the first comparative carbon assessment of allegorical floats in major cultural festivals. Emissions range from over 30,000 kg CO2e per float in Rio de Janeiro's Carnival to under 1,000 kg CO2e in Ambato's festival, with intensity depending on synthetic material use.

Unofficial AI-generated summary based on the public title and abstract. Not an official translation.

📝 gxceed 編集解説 — Why this matters

日本のGX文脈において

日本でも祭りやイベントにおける環境影響評価が注目されつつある。本手法は地域の伝統行事(例:神輿や山車)のカーボンフットプリント算定に応用可能だが、現時点では直接の政策連関は薄い。

In the global GX context

This paper expands carbon accounting to cultural heritage events, offering a methodology applicable to festivals worldwide. It aligns with growing interest in Scope 3 and event-level emissions within the global sustainability disclosure landscape.

👥 読者別の含意

🔬研究者:Provides a novel case study for carbon accounting in cultural events, useful for expanding life-cycle assessment applications.

🏢実務担当者:Offers a methodology for event organizers to quantify and reduce emissions from temporary structures.

🏛政策担当者:Highlights the need for sustainability guidelines in cultural events, though of limited direct policy relevance.

📄 Abstract(原文)

Assessing carbon footprints has become increasingly important globally as a key tool for quantifying environmental impacts and supporting sustainable decision-making. However, although allegorical floats—central elements of large-scale parades in internationally recognized cultural festivals such as the Rose Parade in Pasadena, USA (RPP), the Rio de Janeiro Carnival, Brazil (RJC), the Black and White Carnival in San Juan de Pasto, Colombia (BWC), and the Fruit and Flower Festival in Ambato, Ecuador (FFF)—represent significant expressions of cultural heritage and artistic creativity, their environmental impact has received limited attention in sustainability research. The primary objective was to quantify the carbon emissions associated with constructing these temporary structures. The methodology integrated geometric surface estimation with carbon accounting principles commonly applied in life-cycle assessment. Emissions were calculated based on the material composition of the structural, covering, and finishing stages, and normalized using two indicators: kilograms of CO2 equivalent (kg CO2e) per square meter of float surface area and kg CO2e per float. Results indicate that emission intensity varies substantially across festivals, with RJC exhibiting the highest value (approximately 9 kg CO2e/m2) due to extensive use of synthetic materials, while BWC demonstrates the lowest intensity (approximately 4.3 kg CO2e/m2) as a result of greater reliance on wood- and paper-based components. When assessed per float, the large scale of RJC structures leads to emissions exceeding 30,000 kg CO2e per float, whereas FFF floats generate less than 1000 kg CO2e due to their smaller dimensions and use of natural materials. This research constitutes the first comparative carbon assessment of allegorical float construction and advances the emerging intersection of cultural heritage studies and environmental sustainability.

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