Eco-design of net-zero carbon creative spaces
ネットゼロカーボンクリエイティブスペースのエコデザイン (AI 翻訳)
Pavel Elladievich Antonov
🤖 gxceed AI 要約
日本語
本研究は、脱炭素化と芸術的実践を統合したネットゼロカーボン・クリエイティブスペースのエコデザインの理論的・方法論的枠組みを確立する。産業遺産の適応的再利用、再生可能エネルギー、バイオフィリックデザイン、循環型舞台美術を基盤とし、ロシア連邦の文化セクター向けに「エコアートスペース」認証基準と助成制度への環境基準統合を提案する。
English
This study establishes a theoretical and methodological framework for the eco-design of net-zero carbon creative spaces, integrating decarbonization with artistic practice. It proposes a national certification standard 'Eco-Art-Space' for Russia, based on adaptive reuse, renewable energy, biophilic design, and circular scenography, along with recommendations for integrating sustainability criteria into grant support.
Unofficial AI-generated summary based on the public title and abstract. Not an official translation.
📝 gxceed 編集解説 — Why this matters
日本のGX文脈において
日本でも文化施設の脱炭素化が進む中、本論文の認証基準提案は参考になる。ただしロシア固有の文脈に基づくため、直接適用には調整が必要。
In the global GX context
This paper contributes to the global discourse on net-zero cultural infrastructure by proposing a certification standard and policy integration for creative spaces, though its recommendations are tailored to the Russian context.
👥 読者別の含意
🔬研究者:Provides a theoretical framework for eco-design as artistic practice and a comparative matrix of net-zero vs traditional approaches.
🏢実務担当者:Offers specific recommendations for certifying and funding net-zero creative spaces, useful for cultural sector project managers.
🏛政策担当者:Proposes a national certification standard and grant criteria for decarbonizing cultural venues, relevant for cultural and environmental policy.
📄 Abstract（原文）
The study aims to establish a theoretical and methodological framework for the eco-design of net-zero carbon creative spaces, wherein the utilitarian tasks of decarbonization are organically integrated with autonomous artistic practice and a new aesthetics of spatial design. The paper examines the architectural-artistic, technological, and economic aspects of modernizing the infrastructure of creative industries based on the principles of adaptive reuse of industrial heritage, the integration of renewable energy systems, the implementation of biophilic design, and methods of circular scenography. The primary result of the study is the substantiation of the status of eco-design as an autonomous artistic practice within art historical discourse, where environmentally driven decisions serve as a full-fledged toolkit for constructing spatial semantics and plastic language. Furthermore, the research systematizes advanced architectural and technological methods for organizing carbon-neutral art venues and constructs a comparative matrix of traditional and Net Zero approaches. Based on the findings, a series of applied institutional recommendations for the cultural sector of the Russian Federation is developed, featuring the concept of a national certification standard “Eco-Art-Space”, a proposal to integrate environmental sustainability criteria into the grant support system, and a framework for creating autonomous, energy-positive art residencies within depressed regional industrial territories.
🔗 Provenance — このレコードを発見したソース
- crossref https://doi.org/10.30853/pa20260046first seen 2026-07-09 06:07:32
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